![]() "I had an EOS 600D at the time, and I realised that it gave me the means to do time-lapse too. "I saw an astrophotography time-lapse video online when I was in film school about 11 years ago, and it just blew me away," he reveals. His work is used commercially, and can be seen on Netflix, National Geographic and the Discovery Channel. Matthew is a filmmaker and video editor who specialises in creating awe-inspiring footage that blends real-time and slow-motion video with distinctive time-lapse and hyper-lapse techniques. As a director once told me, it's like a flight through time and space." "A hyper-lapse is more like a special effect shot where you're taking the viewer on a journey. "A time-lapse is a really good way to create an establishing shot or an introductory shot for a new scene or a new location, such as a big wide landscape or cityscape," explains Matthew. Time-lapse is traditionally shot on a tripod or on a motion control slider, so the camera stays in almost exactly the same spot, but for a hyper-lapse, you move the camera position between each photo. A hyper-lapse is a type of time-lapse where the camera is moving. This is how time-lapse and hyper-lapse videos are created. By shooting 25 individual frames over a longer time period and then playing them back at 25fps, you can condense minutes, hours and even days into just a single second of video. To speed up the passing of time, you need to record at a slower frame rate. To produce slow-motion footage, you need to record at a faster frame rate – if you record at 50fps, for example, and play this back at 25fps, then any movement will be shown at half speed. ![]() It doesn't really matter which you choose, but normally your recording and playback frame rates should match each other. ![]() Movies are usually 24fps, so 25fps looks more "cinematic" while 30fps looks crisper and is often preferred for capturing fast-moving sports and news, for example. The most common standard recording and playback speeds are 25fps or 30fps. This sets the recording and playback speed for video footage, in frames per second (fps). The key to all these techniques is frame rate. Here specialist filmmaker Matthew Vandeputte shares his techniques for shooting across the time spectrum, from slow-motion to time-lapse and hyper-lapse video.
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